Monday, July 20, 2015

Ordinary Days: Utah Repertory Theater Company


I entered Sugar Space at 616 Wilmington Avenue in Salt Lake City expecting an ordinarily charming, eccentric, entertaining show from Utah Repertory Theater Company.  What I received in Ordinary Days was so much more.

We are introduced to the characters on a chaotic New York City street, which is hard to imagine with only four cast members and a piano as accompaniment, but the pandemonium was real.  Inspirational quotes are shared (both in delivery and on flyers handed to audience members) through the refreshingly, adorably optimistic Warren (Thomas Kulkus), having the audience in giggle fits from the first moment we see the expression on his face.   There is a delicate balance in the use of breaking the fourth wall in theater, which this cast utilizes with perfection.  They interact to let us know they are telling us their story, yet pull back to the art of story-telling at precisely the right moments.

For those who have been to an Off-Broadway show in New York City, they know the intimate setting and feel of only those tiny theaters where the performers are practically in your lap, the set pieces that become a wall or a car or a coffee shop so imaginatively flawlessly, and the feeling at the end of the show that you are part of something bigger than when you entered.   Sugar Space was the perfect venue to create that exact sort of feeling for Salt Lake audiences - a larger venue simply would not do. 

Audiences will have an innate knowledge that these four characters are destined to intertwine into each others' lives by the show's conclusion.  I have already mentioned Warren (Thomas Kulkus).  We have Deb (Brighton Hertford), the ever-agonizing intellectual graduate-school hipster.  Next is Jason (Matthew Wade), the sparkly-eyed man in love.  Finally, is Claire (Mandi Barrus), a charismatic woman with an initially awesomely Ingrid Michaelson-style sound, obviously trying to let go of something to make room for a man she knows loves her.

As each character shares with us bits of their ordinary days in their ordinary lives, we see how truly humorous and devastating even the smallest of daily events can be.  In each of their stories, we can clearly see our own lives - from the ever-present twinkle in Wade's eye as Jason, to the angst of a lost school assignment, to the extreme desire for human connection.    

One of the songs presents the concept that we keep things as mementos as proof that our past life was real.  My mind spiraled out of control thinking of all of the ways my past seems a distant, fictional creation that I truly might not believe if there weren't tangible evidence.  I think of my life in Ohio growing up - the barn, the My Little Ponies, the gymnastics t-shirts galore...all things that seem so far removed, yet I can open one box and an entire world is there before me of which I never want to let go. 

Just as you might feel as if you will succumb to the aching of nostalgia, Warren and Deb's interactions have us again grinning ear-to-ear.  The one exception to this is Claire's number, "I'll Be Here."  I publicly proclaim to the world that I have never cried at a movie.  Even crazier, I had never cried at a theater production, unless I was performing on stage.  Friends, I had tears rolling down my cheek (just the left one) to the point that I could not believe Barrus was able to complete her performance without breaking down.  The sniffles echoing through the audience let me know I was not alone.

About twenty minutes into Utah Rep's Ordinary Days, I quit taking notes.  Each performer had such fine-tuned nuances, such intricately enunciated lyrics, that I wanted to drink in every moment undistracted and let my mind take me away to their world in New York City.  Each performer sings their soul with such honesty and character that you almost forget there are notes written on a page instead of a tune you've somehow always known.

I have always tried to put into words what a crazy miracle life can be.  What if I had moved to a different neighborhood?  What if I hadn't met up with a heartbroken friend one night for improv comedy?  What if a dear friend hadn't reached out to me to attend this production?  I don't have answers.  I don't want answers.  What I do know is that Adam Gwon presents us with a brief glimpse into how the lives of four people changed forever because of several "fortuitous coincidences."  Which leads me to wonder - is our life full of an endless stream of "coincidences," or "miracles," or both?

If you have a chance, any chance at all, I suggest you eliminate one "What if?" from your life and see this production.  So often I share that a show is for a particular target audience.  Ordinary Days, however, will resonate with everyone.  Everyone.  You will see yourself in its honest compilation of ordinary events that add up to create a legacy for each or our lives. 

Some performances have sold out, so you will want to make sure to get your tickets as soon as possible here.   Take a date, take a best friend, take yourself.  You can find more information on Utah Rep's website or on the Facebook Event.   The show is only 75 minutes, which is just long enough to fully develop each story, while leaving you wanting more.  The rating would be PG-13 for some language only.  Remaining available performances dates are as follows:
Saturday, July 25, 7:30 p.m.
Sunday, July 26, 3 p.m.


Cast and Production List
Director: Chase Ramsey
Music Director:Jeanne McGuire

Claire: Mandi Barrus
Deb: Brighton Hertford
Jason: Matthew Wade
Warren: Thomas Kulkus

Tuesday, July 14, 2015

Taylorsville Arts: Joseph and the Amazing Technicolor Dreamcoat


Every once in awhile something magical happens with a cast both on and off the stage.

In years past, I have had a rough go at teaching my choreography.  The ideas are all beautifully harmonious in my head, but due to my little voice disorder, it becomes painful to project/yell (yes, even with a microphone) for three hours at a time.  Don't worry, voice therapy and medicine mostly keep my vocal chords strong and can now last a two-hour show no problem.  Most community theater participants are performing for many reasons - one of them being social.  I love it when my casts love each other, but the anxiety that grips my heart when I realize they love talking, and loudly, is pure dread.

I love to perform as well as choreograph.  The two most often can't go hand-in-hand because I have to dedicate my voice to one or the other.  Yet, when director Wendy Dahl-Smedshammer approached me to choreograph Joseph and the Amazing Technicolor Dreamcoat, I could not say no in spite of the stifling fear of facing a painful and not-as-successful-as-I-would-have-hoped experience like I've sometimes had in the past.  To cover all my bases, I found a wonderful choreographer friend in Natalie Fortie Adams for 5 of the bigger of 21 numbers who also covered some of the rehearsals I could not attend and the best dance captain a girl could hope for in Aubrielle Johnson. 

Miracle of miracles - everything fell into place to choreograph and perform all while successfully pleasing both groups.  But this is not the point of the story.

The point is, I was scared going into this experience.  I didn't know if I could do it.  I didn't want to let down my performers or myself, but could I get them to successfully bring to life the dancing visions in my mind?

YES!  The answer is a resounding, "YES!"  The 70-ish performers in Taylorsville's production of Joseph and the Amazing Technicolor Dreamcoat work incredibly hard.  They love each other and talk, but also respect all of the production team members when they are talking.  They remember all of the notes they are given for a better performance.  They practice.  They ask for tips on how to be better.  They help each other.  The list goes on and on.  I could not be more impressed with this group.

In fact, for the first time I have teared up watching them dance.  This is the first time I can say, "Yes, that is the vision that was in my head and there it is on stage just as I imagined!"  I tear up watching how much they have grown to love each other the past couple of months.  I tear up thinking about how there is no way we could have known when we were casting the show the first weekend in May that these performers would step up to a level they were not near two months ago.  There is no way we could have known the magic that would happen.

I love this cast.  I would work with them time and time again.  There is an air of love floating around that stage I have no doubt the audience feels.  There is laughter and joy every night.  Mingling in the crowds after the show, I see nothing but smiles.  We don't have a budget for fancy technology or sets or costumes, but we've got magic.  What more do you need?

Closing night is tonight.  I truly hope lives have changed this summer.  I also truly hope I have been a part of that.

Alder Amphitheater SLCC Campus off 4600 Redwood Road.  8:00 pm.  $7 or $5 for groups larger than 6.

All photos courtesy of Janel Williams. 




















    

Thursday, April 23, 2015

Larissa's Chocolate Chip Cookie Recipe

I learned today that a picture really is worth 1,000 words.  All I did was post a photo of some cookies I baked for a friend and - *BAM* - dozens of requests for a recipe.  They do look amazing, right?  I promise they taste even better!



Ingredients
  • 1 c. brown sugar
  • 1/2 c. granulated sugar
  • 2 sticks room temperature butter (aka softened, not melted)
  • 1 1/2 tsp. vanilla extract
  • 1 tsp. almond extract
  • 3/4 tsp. baking soda
  • 3/4 tsp. baking powder
  • 1 tsp. salt
  • 2 eggs
  • 1 1/2 cups bread flour
  • 1 cup flour (or just do 2 1/4 - 2 1/2 regular flour)
  • 1/3 bag Hershey's Special Dark Chocolate Chips or Trader Joe's Chocolate Chips
  • 1/3 bag Trader Joe's Chocolate Chunks
  • 1/3 bag Nestle Mini Semi-Sweet Chocolate Chips (the only time I ever use Nestle, as I don't prefer their chocolate)


Directions
Preheat oven to 350 degrees
  • Combine sugars and butter until integrated/fluffy (too much mixing will melt the butter = bad)
  • Mix in extracts, soda, powder, salt, and eggs (again, do not mix too much)
  • Mix in bread flour until just integrated
  • Mix in flour until just integrated (the dough may seem as if it is not going to stick together, but it will once you knead)
  • Knead in chocolate chips with freshly washed hands
  • Refrigerate dough for at least* an hour.  I prefer to let it set overnight, which is why I love this recipe- you can whip it together right before bed in ten minutes, then bake the next day (or three days later!).
  • Roll dough into balls - I usually do about a 50-cent piece size just slightly smaller than a golf ball, but it works for larger sizes too
*I promise you if you don't let these set/chill, they will turn out very flat and crispy, which is not at all what you want.

Baking/Post-Baking
  • Bake for 10 minutes at 350 degrees.  Some ovens may take 11.  You want them to only have the lightest of brown on the higher points of the cookies.
  • Let cookies develop on sheet for two or three minutes.
  • Use spatula to remove and place on whatever surface you use for cooling - I use a sheet of wax paper or tin foil.  Nothing fancy.
  • The cookies may seem to be gooey or more likely to fall apart, but they will solidify upon cooling.




Thursday, March 5, 2015

Noises Off: Midvale Arts Council


Noises Off, by Michael Frayn, is an absolutely wacky show-within-a-show where nothing happens, yet everything happens.

In act one, the characters are learning their lines and blocking for an actual production.  Act two leads us backstage to see the antics of the performers as they make their entrances and exits.  The closing act shows us the absolute deterioration of the performances on stage due to the crazy mishaps off stage. 

There are shows that make you think and shows that make you laugh.  I love the opportunity to sit back with a smile plastered across my face as my brain goes on vacation.  All of the performances were perfectly flawed to fit the absurd antics of the characters designed to be larger-than-life.   

The true genius of Noises Off is found in the set design.  Wow.  In between each act, the crew and cast take apart the set and reconstruct it to show the backstage/on stage dynamic.  You can see what a feat Midvale has produced in this 15-second hyperlapse video.  

Midvale Arts has also been doing an entertaining campaign with their Instagram account, which I suggest you follow here.  Each day, a different cast or crew member takes over the instagram to show you what a day in their life is like, as well as their character's view from on stage.  Talk about getting the inside scoop! 

I don't have anything eloquent to say except that this show is exactly what you need to cure the winter blues.  I found myself with my hands on my face, watching with disbelief at the "I can't believe this is happening" moments in the third act.  Each move is something straight out of America's Funniest Home Videos.  You will end the night breathless from laughter and feeling like you got a great workout simply from watching the actors and actresses command the zaniness on stage.  

You have three chances left to see this show: 7:30pm March 5, 6, and 7 at Midvale Performing Arts Center (695 W. Center Street, Midvale).
Ticket prices are $7 for general admission, $5 for seniors and children, family passes are available for $25 (one household.) Group discounts are available by contacting Producer, Stephanie Johnson.

Cast List:
Director: Aaron Sparks
Producer: Stephanie Johnson
Dotty/Clackett: Carrie Simper
Lloyd: Chris Kucera
Gary/Roger: Scott Millet
Brooke/Vicki: McKenzie Stanworth
Poppy: Megan Smyth
Frederick/Phillip: Madman Madriaga
Belinda/Flavia: Nichole Keddington
Tim: Mark Hanson
Selsdon: Dain Percifield

Tuesday, March 3, 2015

The Last Five Years: Utah Repertory Theater Company

Every story is told from the point of view of the person sharing the story.  Utah Repertory Theater Company shares with us a musical masterpiece of composer Jason Robert Brown in The Last Five Years.  Audiences experience a love story, told alternately through the eyes of Jamie and Cathy, Jamie recalling from the beginning of the relationship, Cathy from the end, and meeting in the middle.   

Utah Rep's website sums up our characters best: "Jamie Wellerstein (Rhett Richins) is a young, talented up-and-coming Jewish novelist who falls in love with Cathy Hiatt (Erin Royall Carlson), a struggling actress and shiksa goddess."   Audiences spend the next hour and a half with the talents of Richins and Carlson alone on stage, as directed by John Sweeney.

Rhett Richins' nuances as Jamie Wellerstein were natural, convincing, and often hilarious.  He conveyed every nuance of an emotion through one simple look, one pronunciation.  I loved the way he wove accents in and out of his singing as he talked about his Jewish mother and an old clock maker named Schmuel.  Actors are often directed that every movement has a purpose, which Richins personifies as he tells a story in each look, movement, and musical note. 

Erin Royall Carlson as Cathy Hiatt evoked a strong stoicism and warped sense of humor that being a theater professional requires.  We see such weight on her shoulders as she begins the show at the end of her story and relationship, with each scene seemingly lifting off another emotional brick to unveil the light, energetic, radiant Cathy that Jamie fell in love with. 

Live orchestrations grant these two performers the ability to interpret the lyrics and musicality with emotion and depth, helping transfer those feelings to the audience.  Music director, Anne Puzey, created a remarkable atmosphere with her ensemble of talented musicians.  Composer Jason Robert Brown is known for intricate work, and these musicians created a feeling of intricacy that could have shared the story even if the songs had no lyrics.   

The set, lighting, and sound were all very simply designed as we focused on a three-point turning set piece in the middle of the stage, with side pieces and use of shadows to direct or focus to a certain character or scene.  I agree with these decisions strongly, as this story is about two people and their relationship, stripped bare of the world around them.  

Watching the decisions of Jamie and Cathy, my heart wrenched with the agony of my own choices and where they were leading my life and the life of my relationships.  Cathy and Jamie made these seemingly insignificant choices that became more and more substantial until their relationship was ruined.  We can choose our path, but we cannot choose our consequences.  I became keenly aware of how important each moment is.  When Jamie asks Cathy if she will share her life with him for the next ten minutes, then ten more minutes, I thought about how many times the present ten minutes would not leave my friend or husband to ask me for another ten minutes. Jamie gifts Cathy a watch at one point, saying, "You get to be happy...I give you unlimited time."  Watching The Last Five Years stress the importance of time and its correlation with happiness drives home the invaluable importance of every moment.  It's in the moments that life is made or broken.

As a passionate theater-goer, yet not someone who researches beyond plot-points to the intricate nuances of a show before I attend, I can confidently say that The Last Five Years can be confusing even if you know there are two timelines that meet in the middle.  Perhaps a talkback session would have explained the answer to our questions, but my companion and I both had a difficult time understanding why there would be a Jamie scene where he is singing to Cathy and she is present, then the next Jamie scene where he is singing to Cathy, she is not present.  We didn't notice a correlation between his temperament or the stage of their relationship and her presence or lack thereof.  The one correlation we found was between her presence/his presence and costume changes.  For such a minimalistic production, the elaborate costume changes seemed a bit much.  Yes, it did help tell the story and create clear "this is a different scene" moments, but I would have liked to see both characters on stage at all times (which I know is more exhausting than a marathon for performers), with simple costume changes, like the addition of a jacket, a change of shoes, a scarf, etc.  This would have fit the overall minimalistic feel for me.  I also wondered if perhaps the age in the lyrics could have been changed to more accurately reflect the age of the performers. 

Some of you may question whether to see the live theater production or the movie that is hitting wide-release in theaters.  My suggestion is you must see both.  There is beautiful story-telling in the movie, however, live theater has an electricity in the air that makes the experience undeniably more real.  The raw vibrancy of a person standing in front of you shedding real tears and real sweat while singing their heart out to you, to tell you a story, cannot be recreated on film.

If you have a heart, it will break watching Utah Rep's performance of The Last Five Years - it will break with joy, mourning, inspiration, and appreciation of the beautiful work of art in front of you.  You will see scenes from your own relationships played out before you, giving you the cherished feelings of each loving moment while your gut wrenches with pangs from loss.  Should you choose to use your time at The Last Five Years, that time will be incredibly well spent.  As Jamie sings, "Take a breath.  Take a step.  Take a chance." 


The Last Five Years runs at various times, with varying admission prices, until March 15 at Sugar Space Studio Theater in Sugarhouse, then March 20-22 at the Ziegfeld Theatre in Ogden.  Please refer to the website for more information.  Please also note that the movie version of this production is rated PG-13 for language and adult themes, which echoes the stage production. 

Image from Utahrep.org


*Disclaimer*  I've heard it said, and fully agree, "Reviewers don't write about theater, they write about themselves at the theater." 

Empress Theatre: Into the Woods

I recently reviewed Into the Woods at the Empress Theatre for Front Row Reviewers Utah.

We all know the stories of Cinderella, Jack and the Beanstalk, Little Red Riding Hood, and Rapunzel - complete with their evil nemeses.  But what happens when you flip these fairy tales on their heads?  Into the Woods happens, that's what.  Lucky for you, Nancy Jensen is directing a lovely production for audiences to see this inside-out tale at The Empress Theatre.

If you'd like to read more, please do so here. 

Narrator: Nathan Unck
Cinderella: Valerie Packer
Jack: Skye Davis
Jack's Mother: Jamie Crane
Baker: Brett Johnson
Baker's Wife: Sarah Johnson
Cinderella's Stepmother: Kimberly Wicker
Florinda: Sunny Watts
Lucinda: Melissa Head
Cinderella's Father: Perry Whitehair
Little Red: Alexis Shaw
Witch: Diane Nebeker
Cinderella's Mother/Giant: Christin Saling
Mysterious Man: Steve Hedman
Wolf/Rapunzel's Prince: Geoffrey Gregory
Cinderella's Prince: Chris Kennedy

Photo Courtesy of Empress Theatre


Saturday, February 21, 2015

Adult Braces: My Third Adjustment

Due to the promise I made after my second adjustment regarding not purchasing milkshakes, I was pretty darned excited for adjustment number 3.  I mean, c'mon - MILKSHAKE!

This time has actually been okay, folks.  I expected to not be able to eat much for a couple of days, so I prepped for more than my fair share of soft foods with not a lot of pain.  I won't be munching tortilla chips anytime soon, but it's okay.

I received two new wires (top and bottom), as well as some pretty blue rubberbands on the bottom.  My next visit will bring me a "claw" (I asked, they told me it meant bending wires to close the spaces that were created to turn/straighten certain teeth) and all the other prep work for adjustment number five.  What is happening on adjustment five?  *gulp*  Springs.  This option is better than head gear, but I also fear the side effects.

I listened to myself on the show in podcast form that I help with - The Cultural Hall - and heard this weird "sh" every time I said an "s."  It was very weird listening to my intonation and enunciation be so different than recordings in the past.  C'est la vie, it'll only last another year and a half-ish.

Until adjustment number 4, chew lightly.


Thursday, January 29, 2015

Past Year's Resolutions: 2014

What did I accomplish this year?

Every year I ask myself this question and make my retrospective resolutions for the year.  Hindsight is 20/20.  And I think it is much more uplifting to reflect and think, "Wow- I did that!" than to think, "I didn't meet two of my ten goals.  I'm a failure."  Know what I'm saying?

In no particular order:
  1. Stay married!  Apparently this is a pretty big deal.
  2. Visit NYC for 2 weeks, seeing 16 shows (My favorite was Beautiful, thanks for asking)
  3. Be on David Letterman.  For real.  Here's the story and video.
  4. Buy a new new car.  2014 Honda Civic EX.  Probably never going to happen again in my life. 
  5. Choreograph Hairspray for Taylorsville Arts
  6. Choreograph Broadway My Way for Taylorsville Arts
  7. Choreograph for Murray elementary schools
  8. Perform as Vi Moore in Sandy Arts Guild's Footloose - I guess I play adults now?
  9. Perform in a dream show Marvelous Wonderettes for Sandy Arts Guild as Betty Jean Reynolds - Wait, I'm 18 again?  
  10. Audition for my first show at Hale Centre Theatre and get called back!  
  11. See Frankie Valli perform live at Niagra Falls - that's one off my bucket list
  12. Increase my husband's business, Life of the Party Entertainment, another 20%, meaning his business has doubled since I began working with him 
  13. Maintain my six-times weekly dates with Gym
  14. Be in a movie - Don Verdean.  I was just an extra, but we are seeing the final product at Sundance Film Festival Saturday
  15. Win "best couple that never actually hooked up" in the costume contest at Pepper Nix's Halloween Spooktacular for our "A League of Their Own" costumes, we've been trying to win for three years
  16. Become a redhead (for a show, but I kept it).
  17. Get braces, a wish in the making for 17 years
  18. Visit Rochester, Niagra Falls, Ohio, NYC, Moab, Las Vegas (twice), Phoenix, Shakespeare Festival, Goblin Valley
  19. Throw the greatest "A Christmas Story" party (creatively speaking) yet
  20. Read the Fablehaven and Under the Never Sky series
  21. Finish watching Twin Peaks, How I Met Your Mother, The Carrie Diaries (don't judge), Sherlock, and Breaking Bad
  22. Continue helping beautiful brides plan and implement their weddings
  23. Continue helping with The Cultural Hall Show Podcast

















Resolutions of Year's Past
2013
2012
2011
2010
2009
2008 

Thursday, January 22, 2015

Adult Braces: My Second Adjustment

Why-oh-why did I become filled with naivete?  Oh, that's right, because I had no pain after my first adjustment, I assumed I'd be fine for all others.  Wrong.

On January 14th, I actually ran from my car to the office, wanting to be on time and actually excited.  I don't have much control over how quickly or correctly my teeth choose to move, but ever-the-perfectionist, I couldn't wait to be praised for how good I was taking care of my teeth and how lovely they were behaving.

I received my praise, new wires on the tops and bottoms, a superchain (they chain rubberbands together across the bottom to pull them closer together once they are straight enough) on the bottom, and new bands on the top.

I treated myself to a salad that night with my friend, Shayla, mentioning that my mouth was a little sore so my consumption would be slow.  I haven't had anything crunchy since then.  I even had to make a handshake agreement with my husband that I would not purchase anymore milkshakes until my next adjustment.  Yep, that happened.

I want pizza.

Into the Woods: The Empress Theatre


We all know the stories of Cinderella, Jack and the Beanstalk, Little Red Riding Hood, and Rapunzel - complete with their evil nemeses.  But what happens when you flip these fairy tales on their heads?  Into the Woods happens, that's what.  Lucky for you, Nancy Jensen is directing a lovely production for audiences to see this inside-out tale at The Empress Theatre.

The opening number introduces us to all of the main characters (except the charming princes, who bound in just in time for some great comic relief) and introduces us their plights from wanting a child to wanting to escape to wanting money.  Jensen created a wonderful vision in this 3/4 of a theater-in-the-square.  

What I loved most about the show was the actors' dedication to their characters and roles.  I did not see a single person break character, even in light of other mistakes.  This is community theater, which means you enter with a certain reservation of expectations.  In this show, in spite of some actors being strong or weak in certain areas, everyone was quite good overall!  Trust me, I say that with a huge sigh of relief.  

I particularly enjoyed Cinderella's lovely soprano as she enchantingly sang to her origami birds, the youthful vigor of our actual teenager Little Red, and the over-the-top prancing of the charming princes.  

Our Narrator, Nathan Unck, truly helped us feel as if he were telling us a story that he was more than amused with.  He was excited to share the successes and plunders of each scene, wrapping us in to what part of the story he created for us next.  I've seen Unck perform before and this was my favorite role for him.  

Cinderella's Mother is a role that often gets left in the shadows, but Christin Saling performed with love and compassion while dressed in a beautiful gown.  I only wish that half the audience weren't missing out on her stunning face because of a tree branch blocking her.  

Skye Davis is a mature adult, yet used this adorable Pinocchio-esque character voice to successfully portray the youthful, adolescent Jack.  At first I thought it may grow old, but by the end of the show he had me chuckling every time he opened his mouth.  

As far as improvements, The Empress needs a new lighting and sound system.  They work so hard with what they have, however, I've not seen a show in recent memory, other than Addams Family, where the dark lighting and hard-to-adjust spotlights work (in reading my show notes, I mentioned the troublesome lighting four different times).  Often times actors were out of the spots and difficult to see.  The sound is spotty, so they accommodate through only mic'ing those who "need" it or are main roles.  The problem with this is that our ears have to readjust every time we switch from one to the other, or preventing us from hearing certain singing over the minus tracks.  I do prefer having to adjust my ears over the screeching and popping that occurs with some of the mics.  I truly feel the Empress could have much more community support with these technical issues resolved.  The historic theater and the talent deserve as much.     

The two biggest laughs of the evening came from our charming princes and Little Red's Granny.  During the reprise of "Agony," sung by Rapunzel's Prince, Geoffrey Greogry) and Cinderella's Prince (Christopher Kennedy).  Those two hammed it up, the lyrics hammed it up, and we ate it up entirely!  Thank you, men, for making us laugh.  Speaking of...another big big laugh of our came from reading the bio of Rapunzel's Prince/The Wolf, where he mentions he is single, ladies...again apparently.   Granny (Chalese Craig) was performed in a way I have never yet scene this typical "throw away character" played.  She was fierce - you just have to see her for yourself.   

Into the Woods is at the peak of popularity due to the recent cinematic release.  If you and your little ones enjoy the film, I highly recommend venturing to the empress to take in the live production.  They won't disappoint you and I promise you will leave with a smile on your face.  

Tickets can be purchased online or at the box office now through January 31 for $10.  For more information, visit The Empress Theatre's website here.  

Entire Cast List:   Narrator: Nathan Unck
Cinderella: Valerie Packer
Jack: Skye Davis
Jack's Mother: Jamie Crane
Baker: Brett Johnson
Baker's Wife: Sarah Johnson
Cinderella's Stepmother: Kimberly Wicker
Florinda: Sunny Watts
Lucinda: Melissa Head
Cinderella's Father: Perry Whitehair
Little Red: Alexis Shaw
Granny: Chalese Craig
Witch: Diane Nebeker
Cinderella's Mother/Giant: Christin Saling
Mysterious Man: Steve Hedman
Wolf/Rapunzel's Prince: Geoffrey Gregory
Cinderella's Prince: Chris Kennedy